Chopard L.U.C. Perpetual Chrono: Who Do You See? | Quill & Pad

Chopard L.U.C. Perpetual Chrono: Who Do You See? | Quill & Pad

Faces in places, it’s a thing.

While walking along the road one day you end up glancing down and notice, much to your amusement, that Mr. Fire Hydrant looks rather harsh today; he is always nervous during a sweltering evening like this.

You looking at me?

As you round the corner you startle Herbert the Building, making him look as surprised as the first occasion when you saw him. Every so often you wish he could just relax and appreciate the sunshine.

If you are anything like me then this sounds like a beautiful typical day as you journey through the world around you. Also, regardless of whether this appears to be somewhat extraordinary, it’s likely that you notice a face or two on lifeless things from time to time.

This occurrence even has a name: pareidolia . This is a psychological marvel wherein a stimulus (in this case a visual picture) is perceived to resemble a familiar example (such as a face) where no example actually exists.

Basically, pareidolia allows two screw heads and a couple curved snares to turn a simple coat guide into a drunken octopus that needs to fight.

At its most noticeably terrible, pareidolia can play with scientific examinations and intelligent people’s beliefs due to perception; but at its best we discover bliss in cute robots and smiling kitchen appliances. I always discover I am the most tickled when I see a face on something I had never expected, especially when it is on something I am intimately familiar with, like a watch.

Granted, watch dials are once in a while called “faces,” but I can’t think about any watch – wrist or pocket – upon which I have actually discovered somebody looking out at me. Until now.

Say hello to the Chopard L.U.C. Perpetual Chrono .

Something familiar

If you haven’t noticed anything “familiar” about the watch yet, great. This way we can discuss its details before I distract you with my own intriguing observation.

The L.U.C. Perpetual Chrono is a spectacular timepiece with oodles of incredible features that even the most selective watch fanatics will appreciate. It is a logical advance in the development of the L.U.C. collection , which kicked off 20 years prior in 1996.

To mark the commemoration, Chopard has developed its first entirely in-house perpetual calendar chronograph movement.

The L.U.C. Perpetual Chrono has, as would be expected, a perpetual calendar displaying the day, date, month, and leap year. The chronograph displays elapsed seconds, minutes (30-minute counter) and hours (12-hour counter).

And this is the place where a fascinating plan choice comes into focus: balance overlapping dials.

In numerous highly complicated watches requiring numerous displays, layout alternatives include concentric stacking. This is when a few indications utilize a similar pivot on the equivalent subdial, with hands with fluctuating lengths highlighting their respective record markers around the equivalent subdial.

On the original chronograph movement that acts as the beginning stage for this new caliber, that wasn’t required as each subdial was used for only one indication.

With the perpetual calendar part of the movement (taken from earlier perpetual calendar mechanisms like that in the Lunar One), it was a slightly unique situation. Each of the subdials now had two hands for every subdial, with inward and outer indices including a day/night indicator.

The small seconds subdial even featured a wonderful moon stage complication. The subdials became always data thick while still leftover very legible.

The trouble with the multitude of indications started as the two movement layouts were combined and subdials overlapped with subdials.

Dial party

The locations for three unique indications presently overlapped each other for both of the subdials at 3 and 9 o’clock, with only the small seconds/moon stage escaping the new triple-display threat.

Since the chronograph counters, month, day, leap year, and day/night indications were to be concentrically stacked, the data would in all likelihood become illegible. So a decision was made to relocate the least critical elements: the leap year and day/night indications.

And by “relocate” I don’t mean eliminate entirely or even move to the back; the indications have simply been moved slightly from their common concentric hub by a couple of millimeters, turning them into smaller overlapping sub-subdials.

This holds the indications back from feeling crowded and ensures that the less critical (for daily use) data would be limited as opposed to delivering everything useless in a confusing ocean of hands and indices.

This change resulted in new movement architecture for the perpetual calendar mechanism covering up under the dial. Also, despite the fact that it isn’t skeletonized, Chopard is well mindful that people appreciate seeing the beautifully completed movements of the L.U.C. collection.

The chronograph mechanism is in this manner fully visible through the display back, and since it is a manually wound movement, the intricate complications are not concealed by an automatic winding rotor and gearing.

Dial side of the Chopard Caliber L.U.C. 03.10-L at the core of the Perpetual Chrono

Still, the real city of cog wheels is on the dial side of the movement. On account of a movement picture – what I call the legend shot – we will see all the miracle that is the new perpetual calendar works.

View through the display back to the beautifully completed, in-house perpetual calendar chronograph movement of the Chopard L.U.C. Perpetual Chrono

And it doesn’t frustrate. The quick-change large date mechanism takes up a lot of real bequest on the top half of the movement, which is asymmetrically balanced by the moon stage mechanism. This is the place where you get to really focus on and notice the profundity of the moon stage disks.

Beauty beneath

The moon stage mechanism consists of two concentric plates of contrasting measurements. The two of them pivot counterclockwise, one moving quicker than the other to create the periods of the moon seen through a round aperture in the top plate. The base plate has silver and blue sections to address the shadow and reflecting surface of the moon.

You may recall somewhat about that from my A. Lange & Söhne Grande Lange 1 Moonphase Lumen article last week.

Chopard L.U.C. Perpetual Chrono

The top plate of the moon stage is much more than what you may expect, nonetheless. The stars are actually subtly floating over the blue color on account of being applied to a straightforward layer creating a radiance that cannot be achieved with a flat color circle. This, combined with the physical profundity from the highest level of the dial, makes for a blue swimming pool of celestial bodies.

The greatest downside to the dial side of the movement is that it is stowed away from see because the numerous levers, wheels, and springs (seriously, I counted over twelve springs that are clearly visible) make for an impressively detailed presentation.

Luckily for us, this is compensated for by the beautifully completed and detailed dial.

Chopard L.U.C. Perpetual Chrono

Who . . . who?

The applied Roman numeral indices, multi-level dial and subdials, cutouts for the date and moon stage display, and bold and differed engraved details combine to make a visual product that constantly attracts the watcher. The transmitting lines from the date display create movement on account of their off kilter origin.

Those lines also help in creating a feeling of familiarity for me, a feeling that doesn’t stop there.

Sometimes looking at a watch’s details also closely holds you back from seeing the 10,000 foot view. And keeping in mind that a few watches are all about the 10,000 foot view, with the L.U.C. Perpetual Chrono I feel like the small and fluctuated details have, surely coincidentally, come together to incite a new instance of pareidolia for my brain.

If you haven’t seen what I am alluding to at this point I’ll let you in on my little secret.

I see a face, but not just any face.

Thanks to the emanating lines coming from the center of the date display, the sub-subdials for the leap year and the day/night indicator, the contrast of the chosen colors for subdial rings, and even the small second hand and the crescent moon, I see an owl wearing 1950s-style glasses with his open snout covered in blueberry juice.

Basically, a librarian owl post-evening snack.

I realize that is extremely specific. But it only took a couple minutes of me longing for this watch for the visual change to occur, to which I am currently always attuned to.

As they say, once you see something you can’t unsee it. Not that I would need to.

I absolutely love the fact that I see an owl wearing glasses because that is adorable and gives me an emotional bond with this watch that I don’t have with almost some other watch.

[pullquote align=”full” cite=”” link=”” color=”” class=”” size=””]I absolutely love the fact that I see an owl wearing glasses.[/pullquote]

Also, it compensates for the fact that, excepting photos or disassembling the watch, I need to miss half of the magnificence of the movement because it is covered up underneath a dial. In view of the increditastic features of this watch, the family, and technical achievement I couldn’t reject that it has become a grail-level timepiece.

Once you include the fact that I see a hip, spectacled owl, well, at that point, it leaves the realm of logical craving and enters the universe of “gracious, man.”

But on the off chance that you still don’t see the owl, that is no biggie. You can still see all the awesomazing features and the beautiful plan of this energetic and refined timepiece. But watch out for that savvy looking owl.

Who knows, possibly rather than an owl you will meet somebody new.

Chopard L.U.C. Perpetual Chrono

Faces, they’re all over the place. So let’s break it down!

  • Wowza Factor * 9.85 Whoa, am I seeing what I think I am seeing? Wowza!
  • Late Night Lust Appeal * 96.5 » 946.34 m/s2 The late evenings go perfectly with an owl’s schedule, and there is some serious L.U.C. lusting to be doing.
  • M.G.R. * 68.5 Perpetual calendar flyback chronograph with moon stage, made entirely in-house. Um, yeah!
  • Added-Functionitis * Critical The added functions of this timepiece read like a’s who list, which implies you need emergency room hospital-strengthGotta-HAVE-That cream for the ridiculously incredible swelling.
  • Ouch Outline * 11.5 I can lift that without anyone else. Ahh, my foot! Let’s just say that moving can be a stressful and attempting time. But it needs to occur, so I would do it again for the chance to have this watch on my wrist the whole time!
  • Mermaid Moment * I do see it; it’s an owl wearing glasses!! Animals wearing glasses is amazing; a regular object that looks like an animal wearing glasses is grounds to elope!
  • Awesome Total * 782 Multiply the number in the limited version (20) with the profundity rating in meters (30) and from the result add the moon stage accuracy in years (122) followed continuously of force save (60) to get a hoot of a total!

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Quick Facts

Case: 45 x 15.06 mm, white fairmined gold

Movement: manually wound Caliber L.U.C. 03.10-L with 60-hour power save, certified by C.O.S.C. also, Seal of Geneva

Functions: hours, minutes, seconds; perpetual calendar with day, date, month, leap year, moon stage, day/night indicator, flyback chronograph

Limitation: 20 pieces

Price: $95,630